Henrieke Strecker - Snow Woman, n.d. ‘My desire is for the observer to get in touch with the images, to try and follow their history — and perhaps invite a new, very personal history. After the first impression has been made and buried in files or drawers, and the original tale is no longer available, the observer may discover new gestures showing through, because the image is, in fact, still living, breathing, and happening. The observer may trust in his or her perception and immerse in a dialogue with the tale in the present.’
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Henrieke Strecker - Snow Woman, n.d.

‘My desire is for the observer to get in touch with the images, to try and follow their history — and perhaps invite a new, very personal history. After the first impression has been made and buried in files or drawers, and the original tale is no longer available, the observer may discover new gestures showing through, because the image is, in fact, still living, breathing, and happening. The observer may trust in his or her perception and immerse in a dialogue with the tale in the present.’

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